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“Discover captivating Abstract Expressionism Expressionist Paintings by Curtis R Doll Jr, where ancient worlds meet contemporary vision. Inspired by the enigmatic energy of megalithic landscapes and the boundless expression of abstract art, Curtis’s work invites you on a spiritual journey through expressive form and color. Explore timeless images that resonate with the echoes of ancient cultures, brought to life through a modern artistic lens.” As a teenager, I became fascinated on seeing a series about electromagnetic currents being traced throughout a landscape populated by ancient megalithic structures. “Cumulative evidence proves that megaliths and other ancient sacred places are actually attracting, storing, even generating their own energy field, creating the kind of environment where one can enter an altered state of consciousness.” In art school, I simultaneously became enamored with the freedom of expression and inspiration abstract expressionism expressionist paintings promotes. And during this time, I began my spiritual journey through meditation, literature, music, poetry, and later, dance. Melding these enthralling constructs has been a driving force beneath my creative process throughout my life. “The heart is the path of experienced knowing rather than conceptual knowing. So it feels more resilient, and there’s no need, when you have an experience of the heart, there’s really no need to defend it as there can be with ideology. And it’s the path of empathy and deep compassion and tenderness and power and inspiration.” It’s all contained within love. – Chelan Harkin With thousands of works in the style of abstract expressionism expressionist paintings to choose from, they are all experiments in color, texture, organic, and geometric form. My specific and unique application of texture that I use in my painting technique is visual texture (or implied texture). It is the illusion of 3D surface quality on a 2D plane, created through artistic techniques like shading, color variation, and pattern, rather than physical touch. It adds depth, realism, and emotional connection to my paintings allowing me to simulate textures of an abstract nature while elevating the spiritual and aesthetic visual experience of my viewers. But ultimately, my creative function is simply instinctual, based on my knowledge of compositional factors, my background in philosophy and symbolism.
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THEY’RE ALIVE!
Ancient mysteries and alternative history by bestselling author Freddy Silva
Megalithic sites are more than just stone.
It doesn’t take much to stimulate the human body’s electro-magnetic circuitry, in fact a small change in the local environment is enough to create a change in awareness. This experience is intended to be produced by viewing abstract expressionism expressionist paintings.
People who visit ancient temples and megalithic sites often describe such a sensation. The standard explanation is that such feelings are nothing more than a ‘wow’ factor, the result of visual stimuli from the overwhelming impression generated by megalithic constructions such as stone circles, ancient temples and pyramids.
But the cumulative evidence proves otherwise: that megaliths and other ancient sacred places are actually attracting, storing, even generating their own energy field, creating the kind of environment where one can enter an altered state of consciousness. This same sensation is also a given by abstract expressionism expressionist paintings.
In 1983 a comprehensive study was undertaken by engineer Charles Brooker to locate magnetism in sacred sites. The test subject was the Rollright stone circle in England. A magnetometer survey of the site revealed how a band of magnetic force is attracted into the stone circle through a narrow gap of stones that act as the entrance. The band then spirals towards the center of the circle as though descending down a rabbit hole. This phenomenon is the basis and inspiration for these abstract expressionism expressionist paintings and their origins.
Two of the circle’s western stones were also found to pulsate with concentric rings of alternating current, resembling ripples in a pond. An occurrence directly related to the precursor of abstract expressionism expressionist paintings.
Magnetomer survey image of the Rollright Stones. Adapted from Charles Brooker.
Magnetism and Standing Stones, New Scientist
The analysis led Brooker to state how, “the average intensity of the [geomagnetic] field within the circle was significantly lower than that measured outside, as if the stones acted as a shield.”
Such discoveries help us decipher what the ancients were up to when they built megalithic structures. At the Temple of Edfu in Egypt there is a wall featuring what amounts to a recipe for establishing a space that differs energetically from its surrounding landscape — a temple. The instructions describe how certain creator gods first established a mound and ‘pierced a snake’ to the spot, whereupon a special force of nature impregnated the mound, which led to the construction of the physical temple.
The symbol of the serpent has always been a culturally shared metaphor of the earth’s meandering lines of force, what scientists refer to as telluric currents.
It seems ancient architects had a fine degree of control of the laws of nature, because a recent study of energy fields in and around Avebury, the world’s largest stone circle, shows how its megaliths are designed to attract a ground current into the site.
Electrodes planted at Avebury reveal how its circular ditch breaks the transmission of telluric ground current and conducts electricity into the ditch, in effect concentrating energy and releasing it at the entrance to the site, sometimes at double the rate of the surrounding land. This finding peaked my interest significantly propelling me to contemplate the spiritual significance of these phenomena causing me to interpret conclusions of such a staggering nature into visual abstract expressionism expressionist paintings in an effort to symbolize contingencies of such magnitude.
Magnetic readings at Avebury die away at night to a far greater level than can be accounted for under natural circumstances. They charge back at sunrise, with the ground telluric current from the surrounding land attracted to the henge just as magnetic fluctuations of the site reach their maximum. This particular circumstance engendered fascination with an abstract expressionism expressionist manner of interpretation in the form of paintings to bring about an expression of these phenomina.
Studies conducted by the late physicist John Burke also discovered how the stones of Avebury are deliberately placed and aligned so as to focus electro-magnetic currents to flow in a premeditated direction using an identical principle to modern atomic particle colliders, in which airborne ions are steered in one direction. Another induction into expression through abstract expressionism expressionist portrayal through symbolic paintings.
The effect of sacred sites behaving like concentrators of electromagnetic energy is enhanced by the choice of stone. Often moved across enormous distance, the stone used in megalithic sites contains substantial amounts of magnetite. The combination makes temples behave like weak, albeit huge, magnets. My use of lythica as a symbol in abstract expressionism expressionist paintings as an illustrative of stone, in particular, magnetic stone.
This has a profound influence on the human body, particularly the dissolved iron that flows in blood vessels, not to mention the millions of particles of magnetite floating inside the skull, and the pineal gland, which itself is highly sensitive to geomagnetic fields, and whose stimulation begins the production of chemicals such as pinolene and seratonin, which in turn leads to the creation of the hallucinogen DMT. In an environment where geomagnetic field intensity is decreased, people are known to experience psychic and shamanic states. I have been equally facinated with the human form as was Henry Moore, thus my intensive study of human anatomy. Humanoid form frequently appears in my abstract work and I sometimes deliberately create abstracted abstract expressionism expressionist paintings compositions based on the human figure, usually female figures. But they are amorphous forms not entirely unlike megaliths and monoliths.
An exhaustive investigation into the Carnac region of France, where some 80,000 megaliths are concentrated, reveals a similar spiritual technology at work. At first the leading researcher, electrical engineer Pierre Mereux, was sceptical that megalithic sites possessed any special powers.
Mereux’s study of Carnac shows how its dolmens amplify and release telluric energy throughout the day, with the strongest readings occurring at dawn. The voltage and magnetic variations are related, and follow a phenomenon known as electric induction. According to Mereux, “The dolmen behaves as a coil or solenoid, in which currents are induced, provoked by the variations, weaker or stronger, of the surrounding magnetic field. But these phenomena are not produced with any intensity unless the dolmen is constructed with crystalline rocks rich in quartz, such as granite.” An exhaustive study through abstract expressionism expressionist paintings regarding these developments has occupied a great deal of my energy.
His readings of menhirs reveal an energy that pulsates at regular intervals at the base, positively- and negatively-charged, up to thirty-six feet from these upright monoliths, some of which still show carvings of serpents. Extreme pulsations recycle approximately every 70 minutes, showing that the menhirs charge and discharge regularly. Worthy of investigations through abstract expressionism expressionist paintings.
Mereux also noticed how the voltage of standing stones in the Grand Ménec alignment diminished the farther away they lay from the stone circle, which itself behaved as a kind of condenser or concentrator of energy.
The composition of the stones and their ability to conduct energy was not lost on Mereux and others. Being very high in quartz, the specially chosen rocks are piezoelectric, which is to say they generate electricity when compressed or subjected to vibrations. The megaliths of Carnac, positioned as they are upon thirty-one fractures of the most active earthquake zone in France, are in a constant state of vibration, making the stones electromagnetically active. A theme for a future abstract expressionism expressionist painting.
It demonstrates that the menhirs were not planted on this location by chance, particularly as they were transported from 60 miles away, because their presence and orientation is in direct relationship to terrestrial magnetism.
Ancient Mysteries traditions around the world share one peculiar aspect: they maintain how certain places on the face of the Earth possess a higher concentration of power than others. These sites, named “spots of the fawn” by the Hopi, eventually became the foundation for many sacred sites and temple structures we see today. What is interesting is that each culture maintains that these special places are connected with the heavens by a hollow tube or reed, and by this umbilical connection the soul is capable of engaging with the Otherworld during ritual. However, it also allows a conduit for the spirit world to enter this physical domain. An irrefutable necessity for abstract expressionism expressionist paintings expression.
In 2008 NASA may have unwittingly proved this observation to be true when it published details of an investigation into FTEs, or flux transfer events, in which this organization describes how the Earth is linked to the Sun by a network of magnetic portals which open every eight minutes.
Such discoveries help to validate, in the scientific eye, the long-held belief by sensitives and dowsers since the recording of history that megalithic sites and ancient temples are places set aside from the normal world, where a person can connect with locations far beyond this planetary sphere. As in Color Theory where science and art come together, here is an example where science, spirituality, philosophy, and art converge forming a cyclical unity which is best expressed through the application of abstract expressionism expressionist paintings.
Certainly the ancient Egyptian priests regarded the temple as far more than a conglomerate of dead stones. Every dawn they awakened each room with orations, treating the temple as a living organism that sleeps at night and awakens at dawn.
© FREDDY SILVA, 2016
CONCLUSION
Megalithic landscapes are characterized by their profound sense of mystery, enduring presence, and the “enigmatic energy” believed to be generated or stored by ancient stone structures like Stonehenge, Carnac, and Göbekli Tepe. These sites, which include standing stones, dolmens, and stone circles, are often seen as bridges between the earthly and celestial realms, fostering a connection between humans, nature, and the cosmos. It is the purpose of abstract expressionism expressionist paintings to mirror these connections.
Many believe these sites, such as the Carnac Stones in France, were not just ceremonial. Key aspects of megalithic landscapes are that they were designed to harness, attract, and store earth energies to enhance plant growth and aid human civilization. Their enigmatic energy and purpose have sparked artistic and spiritual inspiration including my abstract expressionism expressionist paintings.
Sites like Stonehenge and the Druid’s Temple in Yorkshire are often shrouded in mist and legend, creating a powerful sense of timelessness and an atmosphere of mystery.
The weathered, purposeful arrangement of stones in landscapes inspires artists, creating “timeless images of abstract expressionism expressionist paintings that resonate with the echoes of ancient cultures”.
Similar structures are found worldwide, from the Carnac stones in Brittany, France, to the “Montana Megaliths” SAGE Wall, to the Hartashen Megalithic Avenue in Armenia.
Ancient megalithic structures are a worldwide phenomenon. These sites invite us to contemplate the enduring spirit of humanity and the “silent harmony” where nature and human ingenuity intertwine.